However, their enterprising boldness in chasing men leads them into the same wifely duties of most women. The sequel, The Rovers: Thus female sexuality was perceived as a spiritual flaw to manage.
Royalist libertinism seemed to offer the sexual liberation for which Behn hoped to attract support. Hellena and Angellica also take on the appearances of men during the play.
Blunt, crudely direct in his hedonism, finds himself deceived and robbed by a courtesan.
Not all pleasure seeking, however, achieves its ends. Trevor Griffiths and The rover by aphra behn essays Trussler. Cite References Print Behn, Aphra.
Despite numerous mishaps and mistakes that endanger her, she manages to win Belvile in the end. In order to thwart his affair with Angellica, an aged former mistress of a Spanish general, she disguises herself as a page.
One Samaritan act lands him in prison. Derek Hughes and Janet Todd. They are nothing like the subordinate females of Puritan propriety, but witty, competent matches for the men they meet. More By This Author: The romantic heroes, Willmore and Belvile, do win Hellena and Florinda, as well as their bounteous dowries, in matrimony; however, their actions are nearly their undoing along the way.
Although the celebration of loyalty may have been its greatest appeal for the Restoration audience, the drama is also noteworthy for its portrayal of strong-willed heroines who choose their own future and act to bring it about.
Written seventeen years after Richard Cromwell left England, The Rover responds to these vestiges of Puritan belief in English society. Breaking from the exalted vision of the lovely maiden, young women risked public judgment and scorn, loss of reputation, disease, and pregnancy—all of which would be detrimental to maintaining the libertine lifestyle from which they originated.
Gypsies already occupy the role of outcast on the liminal edge of society; by taking on their looks, Florinda and Hellena put themselves and their sexuality outside the confines of cultural expectation. Instead of feminizing her lust, Angellica masculinizes herself. Her relegation back to courtesan shows how transgressive, premarital sex and proper marriage cannot mix.
Late Stuart society, Behn seems to lament, offered no place to the sexually free, libertine woman. Set loose in the topsy-turvy world of Carnival, her characters demonstrate the active, complicated game required of women seeking to secure personal happiness. The fall of the Puritan Commonwealth did little to dispel the political and religious tensions that affected the early Modern British conception of womanhood.
For women, both cultural expectations, influenced by Puritan beliefs, and reality problematized any desire for sexual freedom.
The drama possesses an abundance of humor, sprightly wit, and farcical adventures. The foppish Cavaliers of The Rover are juxtaposed as foils against these women to further emphasize feminine ability and power. Their initial costumes as gypsies allow them to approach men in a feminized, desirous way.
Over the course of the play, each takes upon herself the position of active wooer. Her derision places under public scrutiny the validity of Puritan disapproval.
University Press of Virginia, Florinda has been in love with Belvile since he saved her life and that of her brother Don Pedro during a battle.
Through Angellica, Hellena, and Florinda, Behn reveals that the libertine female has no place in late Stuart society. Behn implies that the persons must possess some attractive qualities and panache.
In her epilogue, Behn mocks the strait-laced prudishness that would turn humor into a form of sinful self-pleasure: A common prostitute dupes the comic figure, Ned Blunt, despite his comrades warning of possible deception. Each woman begins the play bound one of the three fates: Florinda to marriage, Hellena to the nunnery, and Angellica Bianca to well-paid prostitution.Willmore, the Rover, arrives in Naples where he meets his fellow exiles Blunt, Frederick, and Belvile.
They begin rather aimless adventures in quest of pleasure. Although Willmore is an example of. TERM PAPER Gender Economics of Restoration and Aphra Behn INTRODUCTION The Restoration era allowed women to step into what was historically an essentially masculine space, that of literary and theatrical production.
A Patriarchic Society in Aphra Behn's The Rover Essay - A Patriarchic Society in Aphra Behn's The Rover In her play The Rover, Aphra Behn uses the treatment of women to suggest the presence of a strong patriarchic society and what harm can become of it.
This paper (based upon actual viewing of the play “The Rover” by Aphra Behn at the ZZZ theatre on fresh-air-purifiers.com 20zz) analyzes characters, settings, as well as effectiveness of the actors’ costumes and performance in conveying the main message of the play, that of the free spirit and liberty.
The Rover study guide contains a biography of Aphra Behn, literature essays, quiz questions, major themes, characters, and a full summary and analysis of the play. About The Rover The Rover Summary. The Rover Analysis - In Aphra Behn's “The Rover,” characters define relationships as a type of economy where value and use are key.
This time period commodified love and sexuality, valuing financial success over meaningful relationships.Download