Stanley morison and typography

Morison edited the History of the Times from toand was editor of The Times Literary Supplement between and It is difficult to appropriately summarize the work of a figure such as Stanley Morison in this small space. See Article History Stanley Morison, born May 6,Wanstead, EssexEngland—died October 11,LondonEnglish typographerscholar, and historian of printingparticularly remembered for his design of Times Stanley morison and typography Romanlater called the most successful new typeface of the first half of the 20th century.

Seven volumes of their journal called The Fleuron appeared between and As a child of seven or eight, the family moved to north London. He spent his later years on typographical research. During the First World Stanley morison and typography he was a conscientious objector, and was interned.

He died on 11 October His task was to design a font that was economical—capable of fitting more copy in a column than previous typefaces—as well as technically compatible with the printing machinery of the time. Following the war, Stanley underwent a conversion to Catholicism and began a study of liturgical writings, hymnals and other early church publications.

In the s and s, his work at Monotype included research and adaptation of historic typefaces, including the revival of the Baskerville, Blado and Bembo types. At age 23, while working unhappily as a bank clerk, Stanley read a supplement published by The Times that carried an ad about the start of a new magazine on printing called The Imprint.

During World War I, Morison was imprisoned for being a conscientious objector. His mother was strong-willed and inspired Stanley to serious and independent study.

In Morison became an editorial assistant on The Imprint magazine. He was offered a knighthood in and the CBE inbut declined both. Morison began his work with an authoritative historical survey called The typography of The Times that showed the evolution of its type. Please help improve this section by adding citations to reliable sources.

He was perhaps the most important theoretician, designer and historian of print in the twentieth century. Monotype was a manufacturer of hot metal casting machines that industrialized and revolutionized in the s—along with Linotype Corporation—the process of making type for print.

By the s, Stanley Morison had acquired a remarkable depth of knowledge and experience in printing. There, from tohe had an opportunity to design books and publicity material.

Although he was offered a knighthood in and the CBE inhe declined both.

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He became editor of the History of the Times from to and he was also editor of The Times Literary Supplement between and In Stanley Morison became a typographic consultant for the Monotype Corporation. Edited by Oliver Simon, London, — In Morison joined the staff of The Times, for which he designed a new face, Times New Roman, which appeared for the first time on Oct.

He continued with The Times in various capacities until he retired in In he was appointed typographic adviser to Cambridge University Press, a position he held until This was followed by a similar position at the Cloister Press.

The scholarly works contained in The Fleuron remain relevant today as the material spans all publishing forms print and electronic and technologies conventional and digital.

Therefore, any disposition of printing material which, whatever the intention, has the effect of coming between the author and the reader is wrong.

Anthologies and reproductions of The Fleuron are also now available. But his notes in his A Tally of Types about his early days with Monotype and its program of typographic revivals are not always correct.

Updike and the Merrymount Press, and modern styles in music printing in England. Inhe became design supervisor for Pelican Press and in published his first typographical study: Morison presented to the publisher a folio with 42 full-size reproductions from the earliest days in the eighteenth century into the s to make the case for his solution.Stanley Morison () Morison is famous, not for his own designs, but for his championing of typography and his own literature of typography.

The Fleuron was a British journal of typography and book arts published in seven volumes from to A fleuron is floral ornament used by typographers. In Stanley Morison — the influential typographical advisor to Monotype — with Francis Meynell, Holbrook Jackson, Bernard Newdigate and Oliver Simon founded the Fleuron Society.

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OpenType, TrueType, PostScript available for Mac and PC. Typographic info for the Times New Roman Special font family. Stanley Morison a significance typographer Times new roman from stanley poster font, source:fresh-air-purifiers.com 95 best concert posters images on pinterest pin by jacob stanley on graphics a1 typography project graphic poster art of iconic kubrick s by tomer hanuka best kubrick posters images on pinterest the shining poster case stu s typographic 90.

Stanley Morison

In Morison founded The Fleuron Society, and edited its organ "The Fleuron", a journal of typography, from until Imprisoned from to for being a conscientious objector during World War fresh-air-purifiers.com: May 06,

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